Success


Success

 

by Ralph Waldo Emerson

 

 

Ralph Waldo Emerson

https://en.wikipedia.org/wiki/Ralph_Waldo_Emerson

 

 

To laugh often and much; to win the respect of intelligent people and the affection of children; to earn the appreciation of honest critics and endure the betrayal of false friends; to appreciate beauty; to find the best in others; to leave the world a bit better, whether by a healthy child, a garden patch or a redeemed social condition; to know even one life has breathed easier because you have lived. This is to have succeeded.

The Flowers of Evil



The Flowers of Evil

by Charles Baudelaire


Les Fleurs du mal

Charles Baudelaire


A book is a garden, an orchard, a storehouse, a party, a company by the way, a counselor, a multitude of counselors.

A frenzied passion for art is a canker that devours everything else

A sweetheart is a bottle of wine, a wife is a wine bottle

All which is beautiful and noble is the result of reason and calculation.

Always be a poet, even in prose.

Any healthy man can go without food for two days - but not without poetry.

Any man who does not accept the conditions of life sells his soul.

Any newspaper, from the first line to the last, is nothing but a web of horrors, I cannot understand how an innocent hand can touch a newspaper without convulsing in disgust.

Anybody, providing he knows how to be amusing, has the right to talk about himself.

As a small child, I felt in my heart two contradictory feelings, the horror of life and the ecstasy of life.

Beauty is the sole ambition, the exclusive goal of Taste.

But a dandy can never be a vulgar man.

Common sense tells us that the things of the earth exist only a little, and that true reality is only in dreams.

Even if it were proven that God didn't exist, Religion would still be Saintly and Divine.

Even in the centuries which appear to us to be the most monstrous and foolish, the immortal appetite for beauty has always found satisfaction.

Everything considered, work is less boring than amusing oneself.

Everything for me becomes allegory.

Everything that is beautiful and noble is the product of reason and calculation.

Evil is committed without effort, naturally, fatally; goodness is always the product of some art.

Evil is done without effort, naturally, it is the working of fate; good is always the product of an art.

For each letter received from a creditor, write fifty lines on an extraterrestrial subject and you will be saved.

For the merchant, even honesty is a financial speculation.

France is not poetic; she even feels, in fact, a congenital horror of poetry. Among the writers who use verse, those whom she will always prefer are the most prosaic.

God is the only being who, in order to reign, doesn't even need to exist.

How little remains of the man I once was, save the memory of him! But remembering is only a new form of suffering.

Hypocrite reader my fellow my brother!

I am unable to understand how a man of honor could take a newspaper in his hands without a shudder of disgust.

I can barely conceive of a type of beauty in which there is no Melancholy.

I have cultivated my hysteria with pleasure and terror.

I have more memories than if I were a thousand years old.

I love Wagner, but the music I prefer is that of a cat hung up by its tail outside a window and trying to stick to the panes of glass with its claws.

If the poet has pursued a moral objective, he has diminished his poetic force.

In literature as in ethics, there is danger, as well as glory, in being subtle. Aristocracy isolates us.

In order for the artist to have a world to express he must first be situated in this world, oppressed or oppressing, resigned or rebellious, a man among men.

Inspiration comes of working every day.

It is by universal misunderstanding that all agree. For if, by ill luck, people understood each other, they would never agree.

It is from the womb of art that criticism was born.

It is the hour to be drunken! to escape being the martyred slaves of time, be ceaselessly drunk. On wine, on poetry, or on virtue, as you wish.

It is time to get drunk! So as not to be the martyred slaves of Time, get drunk; get drunk without stopping! On wine, on poetry, or on virtue, as you wish.

It would be difficult for me not to conclude that the most perfect type of masculine beauty is Satan, as portrayed by Milton.

It would perhaps be nice to be alternately the victim and the executioner.

Let us beware of common folk, of common sense, of sentiment, of inspiration, and of the obvious.

Modernity is the transient, the fleeting, the contingent; it is one half of art, the other being the eternal and the immovable.

Modernity signifies the transitory, the fugitive, the contingent, the half of art of which the other half is the eternal and the immutable.

Music fathoms the sky.

Nature is a temple in which living columns sometimes emit confused words. Man approaches it through forests of symbols, which observe him with familiar glances.

Nature... is nothing but the inner voice of self-interest.

Nearly all our originality comes from the stamp that time impresses upon our sensibility.

Nothing can be done except little by little.

Our religion is itself profoundly sad - a religion of universal anguish, and one which, because of its very catholicity, grants full liberty to the individual and asks no better than to be celebrated in each man's own language - so long as he knows anguish and is a painter.

Progress, this great heresy of decay.

Sexuality is the lyricism of the masses.

The dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.

The insatiable thirst for everything which lies beyond, and which life reveals, is the most living proof of our immortality.

The life of our city is rich in poetic and marvelous subjects. We are enveloped and steeped as though in an atmosphere of the marvelous; but we do not notice it.

The lover of life makes the whole world into his family, just as the lover of the fair sex creates his from all the lovely women he has found, from those that could be found, and those who are impossible to find.

The man who says his evening prayer is a captain posting his sentinels. He can sleep.

The pleasure we derive from the representation of the present is due, not only to the beauty it can be clothed in, but also to its essential quality of being the present.

The poet enjoys the incomparable privilege of being able to be himself and others, as he wishes.

The priest is an immense being because he makes the crowd believe astonishing things.

The study of beauty is a duel in which the artist cries with terror before being defeated.

The unique and supreme voluptuousness of love lies in the certainty of committing evil. And men and women know from birth that in evil is found all sensual delight.

The world only goes round by misunderstanding.

There are as many kinds of beauty as there are habitual ways of seeking happiness.

There are moments of existence when time and space are more profound, and the awareness of existence is immensely heightened.

There exist only three respectable beings: the priest, the warrior, the poet. To know, to kill, and to create.

There is no dream of love, however ideal it may be, which does not end up with a fat, greedy baby hanging from the breast.

There is no more steely barb than that of the Infinite.

There is no such thing as a long piece of work, except one that you dare not start.

This life is a hospital in which every patient is possessed with a desire to change his bed.

Those men get along best with women who can get along best without them.

To be a great man and a saint for oneself, that is the only important thing.

To handle a language skillfully is to practice a kind of evocative sorcery.

To say the word Romanticism is to say modern art - that is, intimacy, spirituality, color, aspiration towards the infinite, expressed by every means available to the arts.

Two fundamental literary qualities: supernaturalism and irony.

We are all born marked for evil.

We are weighed down, every moment, by the conception and the sensation of Time. And there are but two means of escaping and forgetting this nightmare: pleasure and work. Pleasure consumes us. Work strengthens us. Let us choose.

What is art? Prostitution.

What is exhilarating in bad taste is the aristocratic pleasure of giving offense.

Whether you come from heaven or hell, what does it matter, O Beauty!

Who would dare assign to art the sterile function of imitating nature?

The Art of Worldly Wisdom


The Art of Worldly Wisdom

by Baltazar Gracian


The Art of Worldly Wisdom

Baltasar Gracián


A bad manner spoils everything, even reason and justice; a good one supplies everything, gilds a No, sweetens a truth, and adds a touch of beauty to old age itself.

A beautiful woman should break her mirror early.

A man of honour should never forget what he is because he sees what others are.

A single lie destroys a whole reputation of integrity.

A wise man gets more use from his enemies than a fool from his friends.

Advice is sometimes transmitted more successfully through a joke than grave teaching.

Always leave something to wish for; otherwise you will be miserable from your very happiness.

Aspire rather to be a hero than merely appear one.

At 20 a man is a peacock, at 30 a lion, at 40 a camel, at 50 a serpent, at 60 a dog, at 70 an ape, and at 80 nothing.

At twenty a man is a peacock, at thirty a lion, at forty a camel, at fifty a serpent, at sixty a dog, at seventy an ape, at eighty a nothing at all.

Attempt easy tasks as if they were difficult, and difficult as if they were easy; in the one case that confidence may not fall asleep, in the other that it may not be dismayed.

Be content to act, and leave the talking to others.

Begin with another's to end with your own.

Better mad with the rest of the world than wise alone.

Don't show off every day, or you'll stop surprising people. There must always be some novelty left over. The person who displays a little more of it each day keeps up expectations, and no one ever discovers the limits of his talent.

Don't take the wrong side of an argument just because your opponent has taken the right side.

Dreams will get you nowhere, a good kick in the pants will take you a long way.

Even knowledge has to be in the fashion, and where it is not, it is wise to affect ignorance.

Evil report carries further than any applause.

Fortunate people often have very favorable beginnings and very tragic endings. What matters isn't being applauded when you arrive - for that is common - but being missed when you leave.

Fortune pays you sometimes for the intensity of her favors by the shortness of their duration. She soon tires of carrying any one long on her shoulders.

Friendship multiplies the good of life and divides the evil.

Great ability develops and reveals itself increasingly with every new assignment.

Have friends. 'Tis a second existence.

He that can live alone resembles the brute beast in nothing, the sage in much, and God in everything.

He that communicates his secret to another makes himself that other's slave.

He that has satisfied his thirst turns his back on the well.

Hope has a good memory, gratitude a bad one.

Hope is a great falsifier. Let good judgment keep her in check.

I strive to be brief, and I become obscure.

It is a great piece of skill to know how to guide your luck even while waiting for it.

It is better to have too much courtesy than too little, provided you are not equally courteous to all, for that would be injustice.

It is better to sleep on things beforehand than lie awake about them afterwards.

It is good to vary in order that you may frustrate the curious, especially those who envy you.

Know or listen to those who know.

Let him that hath no power of patience retire within himself, though even there he will have to put up with himself.

Let the first impulse pass, wait for the second.

Little said is soon amended. There is always time to add a word, never to withdraw one.

Luck can be assisted. It is not all chance with the wise.

Many have had their greatness made for them by their enemies.

Nature scarcely ever gives us the very best; for that we must have recourse to art.

Never contend with a man who has nothing to lose.

Never do anything when you are in a temper, for you will do everything wrong.

Never have a companion that casts you in the shade.

Never open the door to a lesser evil, for other and greater ones invariably slink in after it.

One must pass through the circumference of time before arriving at the center of opportunity.

Quit while you're ahead. All the best gamblers do.

Respect yourself if you would have others respect you.

The envious die not once, but as oft as the envied win applause.

The things we remember best are those better forgotten.

The wise does at once what the fool does at last.

There is always time to add a word, never to withdraw one.

There is none who cannot teach somebody something, and there is none so excellent but he is excelled.

Things do not pass for what they are, but for what they seem. Most things are judged by their jackets.

Those who insist on the dignity of their office show they have not deserved it.

To be at ease is better than to be at business. Nothing really belongs to us but time, which even he has who has nothing else.

To equal a predecessor, one must have twice they worth.

To oblige persons often costs little and helps much.

True friendship multiplies the good in life and divides its evils. Strive to have friends, for life without friends is like life on a desert island... to find one real friend in a lifetime is good fortune; to keep him is a blessing.

True knowledge lies in knowing how to live.

We often have to put up with most from those on whom we most depend.

When desire dies, fear is born.

Without courage, wisdom bears no fruit.

Work is the price which is paid for reputation.

My Living Faith


My Living Faith

by Terry Tempest William


This is my living faith, an active faith, a faith of verbs: to question, explore, experiment, experience, walk, run, dance, play, eat, love, learn, dare, taste, touch, smell, listen, argue, speak, write, read, draw, provoke, emote, scream, sin, repent, cry, kneel, pray, bow, rise, stand, look, laugh, cajole, create, confront, confound, walk back, walk forward, circle, hide, and seek. To seek: to embrace the questions, be wary of answers.

If I Had My Child to Raise Over Again


If I Had My Child to Raise Over Again

by Diane Loomans


If I had my child to raise all over again,
I'd finger-paint more and point the finger less.
I'd do less correcting and more connecting.
I'd take my eyes off my watch, and watch with my eyes.
I would care to know less and know to care more.
I'd take more hikes and fly more kites.
I'd stop playing serious, and seriously play.
I'd run through more fields and gaze at more stars.
I'd do more hugging and less tugging.
I would be firm less often, and affirm much more.
I'd build self-esteem first, and the house later.
I'd teach less about the love of power,
And more about the power of love.

The Stranger


The Stranger

 

Chapter Five

 

by Albert Camus

 

 

The Stranger

https://en.wikipedia.org/wiki/The_Stranger_(Camus_novel)

 

Ebooks: The Stranger

https://www.ebooksgratuits.com/html/camus_l_etranger.html

 

Albert Camus

https://en.wikipedia.org/wiki/Albert_Camus

 

Absurdism

https://en.wikipedia.org/wiki/Absurdism

 

The Myth of Sisyphus

https://en.wikipedia.org/wiki/The_Myth_of_Sisyphus

 

DBanach: The Myth of Sisyphus

http://dbanach.com/sisyphus.htm

V

 

For the third time, I refused to receive the chaplain. I have nothing to say to him, I don't want to talk, I'll see him soon enough. What interests me at the moment is to escape the mechanics, to know if the inevitable can have a way out. I was changed cells. From it, when I lie down, I see the sky and I see only him. All my days are spent looking on his face at the decline of colors that leads day to night. Lying down, I put my hands under my head and wait. I do not know how many times I have wondered if there are examples of death row inmates who have escaped the relentless mechanism, disappeared before the execution, broken the cords of agents. I blamed myself for not paying enough attention to the execution stories. These issues should always be addressed. You never know what can happen. Like everyone else, I had read reports in the newspapers. But there were certainly special books that I had never had the curiosity to consult. There, perhaps, I would have found stories of escape. I would have learned that in at least one case the wheel had stopped, that in this irresistible premeditation, chance and luck, only once, had changed something. Once! In a sense, I think that would have been enough for me. My heart would have done the rest. Newspapers often talked about a debt that was owed to society. According to them, it had to be paid. But this does not speak to the imagination. What mattered was a possibility of escape, a leap out of the relentless rite, a race to madness that offered all the chances of hope. Naturally, the hope was to be shot on a street corner, in the middle of a race, and a bullet on the fly. But all things considered, nothing allowed me this luxury, everything forbade me, the mechanics took me back.


Despite my good will, I could not accept this insolent certainty. For finally, there was a ridiculous disproportion between the judgment on which it had been founded and its imperturbable course from the moment that judgment had been pronounced. The fact that the sentence had been read at twenty o'clock rather than at seventeen, the fact that it could have been quite different, that it had been taken by men who change clothes, that it had been credited with a notion as imprecise as the French (or German, or Chinese) people, it seemed to me that all this took much seriousness away from such a decision. Yet, I was forced to recognize that from the second it had been taken, its effects became as certain, as serious, as the presence of this wall all along which I crushed my body.

 

I remembered in those moments a story that mom was telling me about my dad. I hadn't known him. Perhaps all I knew about this man was what I was told then as a mother: he had gone to see an assassin executed. He was sick at the thought of going there. He had done so, however, and on his way back he had vomited part of the morning. My father disgusted me a little then. Now I understood, it was so natural. How could I not have seen that nothing was more important than a capital execution and that, in short, it was the only thing really interesting for a man! If I ever got out of this prison, I would go and see all the executions. I thought it was wrong to think about that possibility. Because at the idea of seeing myself free in the early morning behind a cordon of agents, on the other side in a way, at the idea of being the spectator who comes to see and who will be able to vomit afterwards, a flood of poisoned joy rose to my heart. But that was not reasonable. I was wrong to indulge in these assumptions because, the next moment, I was so terribly cold that I curled up under my blanket. I was snapping my teeth without being able to hold back.

 

But, of course, one cannot always be reasonable. Other times, for example, I was doing bills. I was reforming the penalties. I had noticed that the main thing was to give the convict a chance. Only one in a thousand was enough to fix many things. Thus, it seemed to me that we could find a chemical combination whose absorption would kill the patient (I thought: the patient) nine times out of ten. He would know, that was the condition. Because when I thought carefully, when I looked at things calmly, I found that what was defective with the cleaver was that there was no chance, absolutely none. Once and for all, in short, the death of the patient had been decided. It was a closed case, a well-defined combination, an agreement heard and on which there was no question of going back. If the blow failed, by extraordinary, we started again. Therefore, what was annoying was that the convict had to want the machine to work properly. I say that is the flawed side. This is true, in a sense. But, in another sense, I was forced to recognize that all the secret of a good organization was there. In short, the convict was obliged to collaborate morally. It was in his interest that everything went smoothly.

 

I was also obliged to note that until now I had had ideas on these issues that were not right. I believed for a long time – and I don't know why – that to go to the guillotine, you had to climb a scaffold, climb steps. I think it was because of the Revolution of 1789, I mean because of everything I had been taught or made to see on these issues. But one morning, I remembered a photograph published by the newspapers on the occasion of a resounding execution. In reality, the machine was placed on the ground, the simplest in the world. It was much narrower than I thought. It was funny enough that I hadn't noticed earlier. This machine on the picture had struck me by its appearance of a precision work, finished and sparkling. We always get exaggerated ideas of what we don't know. On the contrary, I had to note that everything was simple: the machine is at the same level as the man who walks towards it. He joins her as one walks to meet a person. That too was boring. The ascent to the scaffold, the ascent in the sky, the imagination could cling to it. Whereas, again, the mechanics crushed everything: we were killed discreetly, with a little shame and a lot of precision.

 

There were also two things I was thinking about all the time: dawn and my appeal. I reasoned myself, however, and tried not to think about it anymore. I stretched out, I looked at the sky, I tried to take an interest in it. It turned green, it was evening. I was still making an effort to divert the course of my thoughts. I listened to my heart. I could not imagine that this noise that had been with me for so long could ever stop. I never had a true imagination. Yet I was trying to imagine a certain second when the beating of this heart would no longer extend into my head. But in vain. The dawn or my appeal was there. I ended up telling myself that the most reasonable thing was not to constrain myself.

 

It was at dawn that they came, I knew it. In short, I spent my nights waiting for this dawn. I never liked to be surprised. When something happens to me, I prefer to be there. That's why I ended up sleeping only a little in my days and, throughout my nights, I waited patiently for the light to be born on the sky glass. The hardest part was the dubious hour when I knew they were usually operating. After midnight, I was waiting and watching. Never before had my ear perceived so many noises, distinguished from sounds so faint. I can say, by the way, that in a way I was lucky during this whole period, since I never heard a step. Mom often said that you're never quite unhappy. I approved of it in my prison, when the sky was brightening and a new day was slipping into my cell. Because as well, I could have heard footsteps and my heart could have burst. Even if the slightest slip threw me at the door, even if, with my ear glued to the wood, I waited madly until I heard my own breath, afraid to find it hoarse and if like the grumble of a dog, in the end my heart did not burst and I had still gained twenty-four hours.

 

All day long, there was my appeal. I think I made the most of that idea. I calculated my effects and got the best return from my reflections. I always took the worst guess: my appeal was dismissed. "Well, then I will die." Earlier than others, it was obvious. But everyone knows that life is not worth living. Basically, I was aware that dying at thirty or seventy years of age does not matter because, naturally, in both cases, other men and women will live, and this for thousands of years. Nothing was clearer, in short. It was always me who would die, whether now or twenty years from now. At that moment, what bothered me a little in my reasoning was this terrible leap that I felt in me at the thought of twenty years of life to come. But I just had to stifle it by imagining what my thoughts would be like in twenty years when I would still have to get to that point. As long as we die, how and when, it doesn't matter, it was obvious. So (and the difficult thing was not to lose sight of all that this "therefore" represented of reasoning), therefore, I had to accept the dismissal of my appeal.

 

At that moment, only then, I had the right, so to speak, I was somehow giving myself permission to address the second hypothesis: I was pardoned. The annoying thing was that it was necessary to make less fiery this impulse of blood and body that stung my eyes with insane joy. I had to try to reduce this cry, to reason with it. I had to be natural even in this hypothesis, to make my resignation in the first more plausible. When I succeeded, I gained an hour of calm. That, all the same, was to be considered.

 

It was at a similar time that I once again refused to receive the chaplain. I was lying down and I guessed the approach of the summer evening to a certain blonde of the sky. I had just dismissed my appeal and I could feel the waves of my blood flowing regularly within me. I didn't need to see the chaplain. For the first time in a long time, I thought of Mary. There were long days she didn't write to me anymore. That night, I thought about it and thought maybe she had grown tired of being the mistress of a death row inmate. The idea also came to me that she might be sick or dead. That was the order of things. How would I have known since apart from our two now separate bodies, nothing bound us and reminded us of each other. From that moment on, moreover, the memory of Mary would have been indifferent to me. Dead, she no longer interested me. I found it normal as I understood very well that people forget me after my death. They had nothing more to do with me. I couldn't even say it was hard to think.

 

That's when the chaplain came in. When I saw him, I had a little tremor. He noticed it and told me not to be afraid. I told him that he usually came at another time. He replied that it was a friendly visit that had nothing to do with my appeal of which he knew nothing. He sat on my bunk and invited me to stand next to him. I refused. I still found him a very soft air.

 

He sat for a while, forearms on his knees, head down, looking at his hands. They were thin and muscular, they reminded me of two agile beasts. He slowly rubbed them against each other. Then he stayed that way, his head still down, for so long that I felt, for a moment, that I had forgotten him.

 

But he suddenly raised his head and looked me in the face: "Why," he told me, "are you refusing my visits?" I replied that I did not believe in God. He wanted to know if I was sure of it and I said I didn't have to ask myself: it seemed like a trivial question. He then overturned backwards and leaned against the wall, his hands flat on his thighs. Almost without seeming to be talking to me, he observed that we thought we were sure, sometimes, and, in reality, we were not. I didn't say anything. He looked at me and asked, "What do you think?" I replied that it was possible. In any case, I may not have been sure what I was really interested in, but I was quite sure of what I wasn't interested in. And precisely, what he was talking about did not interest me.

 

He looked away and, still without changing his position, asked me if I was not speaking like this out of excessive despair. I explained to him that I was not desperate. I was only scared, it was natural. "God would help you then," he remarked. Everyone I knew in your case was turning to him. I recognized that it was their right. It also proved that they had the time. As for me, I did not want to be helped and I lacked time to be interested in what did not interest me.

 

At this moment, his hands had a gesture of annoyance, but he straightened up and arranged the folds of his dress. When he finished, he addressed me calling me "my friend": if he spoke to me like this it was not because I was sentenced to death; in his opinion, we were all sentenced to death. But I interrupted him by telling him that it was not the same thing and that, moreover, it could not be, in any case, a consolation. "Certainly," he agreed. But you will die later if you do not die today. The same question will then arise. How will you approach this terrible ordeal? I replied that I would approach it exactly as I was approaching it at the moment.

 

He stood up at that word and looked me straight in the eye. It's a game I knew well. I often had fun with Emmanuel or Celeste and, in general, they looked away. The chaplain also knew this game well, I immediately understood it: his gaze did not tremble. And his voice also didn't shake when he said to me, "Do you have no hope and live with the thought that you are going to die entirely? "Yes," I replied.

 

So, he lowered his head and sat down. He told me he was complaining to me. He considered this impossible for a man to bear. I only felt that he was starting to annoy me. I turned away and went under the skylight. I leaned from the shoulder against the wall. Without following him well, I heard that he was starting to question me again. He spoke in a worried and pressing voice. I understood that he was moved and I listened to him better.

 

He told me he was certain that my appeal would be accepted, but I bore the weight of a sin that had to be gotten rid of. According to him, the righteousness of men was nothing and the righteousness of God everything. I noticed that it was the first one that condemned me. He replied that she had not, however, washed away my sin. I told him I didn't know what a sin was. I had only been taught that I was a culprit. I was guilty, I was paying, nothing more could be asked of me. At that moment, he got up again and I thought that in this cell so narrow, if he wanted to stir, he had no choice. You had to sit or stand up.

 

My eyes were fixed on the ground. He took a step towards me and stopped, as if he didn't dare to move forward. He looked at the sky through the bars. "You're wrong, my son," he told me, "you could be asked for more. You may be asked. – And what? – You might be asked to see. – See what?

 

The priest looked all around him and he replied in a voice that I suddenly found very tired: "All these stones sweat pain, I know it. I never looked at them without anxiety. But, from the bottom of my heart, I know that the most miserable among you have seen a divine face emerge from your darkness. It is this face that you are asked to see.

 

I got a little animated. I said I had been looking at these walls for months. There was nothing and no one I knew better in the world. Perhaps, a long time ago, I had looked for a face. But this face had the color of the sun and the flame of desire: it was mary's. I had searched for it in vain. Now it was over. And in any case, I hadn't seen anything come out of that stone sweat.

 

The chaplain looked at me with a kind of sadness. I was now completely leaning against the wall and the day flowed down my forehead. He said a few words that I didn't hear and asked me very quickly if I would allow him to kiss me: "No," I replied. He turned around and walked towards the wall on which he passed his hand slowly: "So do you love this land so much?" he whispered. I did not answer anything.

 

It remained diverted for quite a long time. His presence weighed and annoyed me. I was going to tell him to leave, to leave me, when he suddenly cried out with a kind of brilliance, turning to me: "No, I can't believe you. I am sure you have wished for another life. I told him that naturally, but it didn't matter any more than wishing to be rich, to swim very fast or to have a better mouth. It was of the same order. But he stopped me and he wanted to know how I saw this other life. So I shouted at him, "A life where I could remember this one," and immediately I told him I had had enough. He still wanted to talk to me about God, but I walked up to him and tried to explain to him one last time that I had little time left. I didn't want to lose it with God. He tried to change the subject by asking me why I called him "sir" and not "my father." This me off and I told him that he was not my father: he was with others.

 

"No, my son," he said, putting his hand on my shoulder. I am with you. But you can't know because you have a blind heart. I will pray for you.

 

So, I don't know why, there's something that broke out in me. I started screaming and insulted him and told him not to pray. I had taken him by the collar of his cassock. I poured out the bottom of my heart upon him with leaps mixed with joy and anger. He looked so certain, didn't he? Yet none of her certainties were worth a woman's hair. He wasn't even sure if he was alive since he lived like a dead man. I looked like I was empty-handed. But I was sure of myself, sure of everything, more sure than him, sure of my life and of this death that was coming. Yes, I only had that. But at least I held this truth as much as it held me. I was right, I was still right, I was always right. I had lived in this way and I could have lived in this other way. I had done this and I had not done that. I hadn't done one thing while I had done that other. What's next? It was as if I had been waiting all the time for that minute and that little dawn where I would be justified. Nothing, nothing mattered and I knew why. He too knew why. From the depths of my future, during all this absurd life that I had led, a dark breath came back to me through years that had not yet come and this breath equalized in its path everything that was then offered to me in the no more real years that I was living. What did the death of others, the love of a mother, what her God mattered to me, the lives we choose, the destinies we elect, since a single destiny was to elect me and with me billions of privileged people who, like him, called themselves my brothers. So did he understand? Everyone was privileged. There were only privileged people. The others, too, would one day be condemned. He, too, would be condemned. What did it matter if, accused of murder, he was executed for not crying at his mother's funeral? Salamano's dog was worth as much as his wife. The little automatic woman was as guilty as the Parisian that Masson had married or Marie who wanted me to marry her. What did it matter that Raymond was my boyfriend as much as Celeste who was better than him? What did it matter that Mary gave her mouth to a new Meursault today? Did he understand, then, this condemned man, and that from the bottom of my future... I was suffocating by shouting all this. But already, the chaplain was being snatched from my hands and the guards were threatening me. He, however, calmed them down and looked at me for a moment in silence. His eyes were full of tears. He turned away and disappeared.

 

He left, I found calm. I was exhausted and threw myself on my bunk. I think I slept because I woke up with stars on my face. Country noises were rising up to me. Smells of night, earth and salt refreshed my temples. The wonderful peace of that sleeping summer entered me like a tide. At this moment, and at the edge of the night, sirens screamed. They announced departures for a world that was now forever indifferent to me. For the first time in a long time, I thought of Mom. It seemed to me that I understood why at the end of a life she had taken a "fiancé", why she had played to start again. There, there too, around this asylum where lives were extinguished, the evening was like a melancholic truce. So close to death, Mom must have felt liberated and ready to relive everything. No one, no one had the right to cry over her. And I, too, felt ready to relive everything. As if this great anger had purged me of evil, emptied of hope, before this night full of signs and stars, I opened myself for the first time to the tender indifference of the world. To experience it so similar to me, so fraternal at last, I felt that I had been happy, and that I still was. For everything to be consumed, so that I feel less alone, I had to wish that there would be many spectators on the day of my execution and that they would welcome me with cries of hate.

Bene Gesserit Litany Against Fear


Bene Gesserit Litany Against Fear

Dune by Frank Herbert


I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.